Each ballet dancer was given time on the stage alone and together to portray different aspects of the company’s journey as mirrored by their own experiences around racial stereotypes and prejudices.Ĭertainly, the dancer who stole the show was Mthuthuzeli November, whose solo moment on stage was an effortless and yet expressively unconventional brilliant ballet dance to the song ‘Welcome to London’. The use of verbatim through the audio recordings of true comments and posts surrounding people’s thoughts on the company initially was extremely powerful and created a storyline as we followed Black Ballet’s growth and development in response to the corresponding feedback and doubts they faced through the years. It’s a revealing and insightful piece that portrays the company’s struggle to grow and assert itself in the ballet world due to the challenges they faced as a Black company. Split into two, the first ballet is Say It Loud, choreographed by the founder and artistic director of the Black Ballet, Cassa Pancho. And together they bought that stage to life.Īnd together they bought that stage to life Just a simple black stage, eight talented ballet dancers that danced with passion and shared beliefs in the empowerment of people of Black and Asian descent in the world of ballet. No set, no large pieces that had to be flown in, no fancy backdrop. Let me set the scene for you: a simple black coloured stage. Its showcase at the Rep this year was certainly no different. This simple and powerful message was broadcast as a motivation to all aspiring Black and Asian ballet dancers out there, and throughout its twenty years of performance, Ballet Black has never failed to awe and inspire its audience.
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